cover
Contact Name
Jefri Rieski Triyanto
Contact Email
jefririeski@unej.ac.id
Phone
-
Journal Mail Official
jurnalhistorica@unej.ac.id
Editorial Address
Jalan Kalimantan No. 37 – Kampus Bumi Tegalboto Kotak POS 159 Jember, Jawa Timur, 68121, Indonesia
Location
Kab. jember,
Jawa timur
INDONESIA
Jurnal Historica
Published by Universitas Jember
ISSN : 22524673     EISSN : 29649269     DOI : https://doi.org/10.19184/jh
Core Subject : Education, Social,
Jurnal Historica is an online open-access journal that publishes articles in the field of social science, history, culture, education & Arts. It is a journal to encourage research publication to research scholars, academicians, professionals and students engaged in their respective field. The journal also provides an international forum to disseminate their knowledge. The journal scope includes : History History Education Local History and Education Historical Tourism Social Cultural History and Education
Articles 10 Documents
Search results for , issue "Vol 3 No 2 (2019): June 2019" : 10 Documents clear
KETOPRAK MUSTIKO BUDOYO DI BLORA TAHUN 1976-2018 Yasiran, Yasiran; sumarjono, sumarjono; sumarno, sumarno
JURNAL HISTORICA Vol 3 No 2 (2019): June 2019
Publisher : The University of Jember

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Abstract

Ketoprak merupakan seni pertunjukan tradisional terkenal yang tetap eksis hingga sekarang. Salah satu kelompok Ketoprak yang masih konsisten mengadakan pagelaran dan mengembangankan seni ketoprak adalah "Mustiko Budoyo" di Desa Tempuran Kecamatan Kota Blora kabupaten Blora. Rumusan masalah dalam penelitian ini adalah latar belakang berdirinya ketoprak Mustiko Budoyo di Blora pada tahun 1976 dan bagaimana dinamika Ketoprak Mustiko Budoyo di Blora tahun 1976-2018. Penelitian ini dirancang dengan metode penelitian sejarah. Langkah-langkah dalam penelitian ini adalah: (1) Heuristik; (2) Kritik; (3) Intepretasi; Dan (4) Historiografi. Hasil penelitian menunjukkan bahwa berdirinya Ketoprak Mustiko di latar belakangi oleh kondisi sosial-budaya masyarakat yang mayoritas bekerja sebagai petani memiliki kehidupan spiritual yang selalu melibatkan seni pertunjukan khususnya Ketoprak. Ketoprak Mustiko Budoyo telah mengalami banyak perubahan dan perkembangan yang mencakup aspek Lakon, pemain, Tata Busana, Tata Rias, Panggung, dan Peralatan. Saran dalam penelitian ini diharapkan dapat memberikan tambahan pengetahuan tentang sejarah Ketoprak Mustiko Budoyo. Keywords: ketoprak, Mustiko Budoyo, Blora.
TECHNOLOGICAL PEDAGOGICAL KNOWLEDGE (TPK) OF HISTORY TEACHERS IN JEMBER REGENCY tantiyo, riski wahyu; umamah, nurul; na'im, mohamad
JURNAL HISTORICA Vol 3 No 2 (2019): June 2019
Publisher : The University of Jember

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This research aimed at analyzed the technological pedagogical knowledge of the history teachers in Jember Regency. Theory of technological pedagogical knowledge used was the theory by Koehler and Mishra (2006). The components of technological pedagogical knowledge were the knowledge of ICT tools, learning strategies supported by ICT, the use of ICT in scientific research, information skills, facilitators of students, and technical difficulties of students. This research was a descriptive research. The samples used involve 31 history teachers. The data analysis used was descriptive statistical data analysis by using SPSS 21 program for Windows. The results of the descriptive statistical data revealed that the pedagogical content knowledge of the history teachers of Jember Regency as much as 83,9% were at good level. Furthermore, as much as 16.1% were at fair level. Whereas, 0% was at not good, less good levels and very good level. Overall, from the results of descriptive statistical analysis, it obtained the mean value of 3,4686. Based on the results of the research, the technological pedagogical knowledge of the history teachers of Jember Regency were at good level. Teachers are expected to master all four basic competencies of the professional teacher, especially on the competencies of pedagogical and professional. Teachers are also required to be able to integrate pedagogical skills with mastery of information and communication technology, so that learning to students becomes more effective.
Rezti’s Batik Mboeloe Industry Tegalsari Village Ambulu District Jember from 2011 to 2018 Rahma Sari, Desi Putri; soepeno, bambang; sumarjono, sumarjono
JURNAL HISTORICA Vol 3 No 2 (2019): June 2019
Publisher : The University of Jember

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Batik is a native culture of Indonesia. The first batik making was in Sumber Jambe which is the center of batik in Jember Regency. Problem formulation in this research is how the background of Rezti's Batik Mboeloe industry in Tegalsari Village, Ambulu District, Jember Regency in 2011 and how the development of Rezti's Batik Mboeloe in Tegalsari Village, Ambulu District, Jember Regency, 2011-2018. This research was designed with historical research methods, where the stages of the process consist of 4 steps, namely: 1. Heuristics; 2. Criticism; 3. Interpretation; and 4. Historiography. The development of batik is a form of the creative economy by bringing up various product motif innovations that are able to survive until now. The results of this research, the establishment of the Rezti's Batik Mboeloe industry, have the same potential as Sumber Jambe and Rumah Batik Rolla, although the Ambulu batik industry can be said to be relatively new. Rezti’s Batik Mboeloe Industry offers affordable products with good quality and has batik motifs that are not the same as Sumber Jambe and Rumah Batik Rolla. An interesting development of Rezti's Batik Mboeloe Industry motifs is the lifting of the marine motifs that are characteristic of the Reztik Batik Mboeloe Industry. Suggestions in this study This researcher is expected to be a reference in the development of writing other historical writing studies, this research is expected to provide additional historical knowledge about Indonesian Batik Industry. Keywords: Batik, the development of the Resti Batik Mboeloe Industry
Dinamika Kesenian Tradisional Angklung Caruk Kabupaten Banyuwangi Tahun 1999-2018 Nortaviana, Arista; sumarno, sumarno; puji, rully putri nirmala
JURNAL HISTORICA Vol 3 No 2 (2019): June 2019
Publisher : The University of Jember

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The Angklung Caruk Competition is a unique show. The Angklung Caruk show has indeed become a social habit of the Using community. The word “Caruk” in Using means “gathering”. Angklung Caruk means two Angklung art groups that are brought together into one stage, clashing intelligence with the accompaniment of a number of Banyuwangian songs whose aims to fight for the title as the winner and has been named the best Angklung art group. The Angklung Caruk show is currently full of ethical and aesthetic values. Ethical values appear in a sense of cooperation and sportsmanship. While the aesthetic value appears from the presentation musical works, including all the aesthetic elements such as musical instruments used by melodic, rhythmic, harmony, etc. The musical competition that took place in Angklung Caruk was an interesting phenomenon. Performances become a multifunctional social event, not just a media presentation and enjoyment a piece of music. Angklung Caruk is also a social process that provides an opportunity to show achievement, elevate self-identity, regional groups, strengthen status as well as an arena for social selection of artists. Keywords: Angklung Caruk, Adu Gending
The Socio-Cultural System of Banjar Migrants' Marriage in Tulungagung from 1980 to 2018 Dewi, Tri Sakti Tunggal; soepeno, bambang; sugiyanto, sugiyanto; swastika, kayan
JURNAL HISTORICA Vol 3 No 2 (2019): June 2019
Publisher : The University of Jember

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In 1920, many Banjar people migrated to Tulungagung. Banjar community gradually grew more and more to the end of the interaction with the indigenous peoples of Tulungagung the majority of Javanese people. Therefore, from the interaction, in the year 1980 Banjar Migrant society is doing marriage with the people of Tulungagung who are aiming to establish their lives. At first the implementation of the marriage still follows the customs of the Banjar people, so it has not seen the function of marriage between Banjar and Java. Therefore, the existence of the marriage has emerged cultural influences and occurred accultutation. In the year 1987 when there began to be many who did the marriage between the two tribes, began to see a change of function in the marriage by looking at the customary clothing used and in the provision of Mahar. Then there is also a function of marriage that appears, judging by the use of customary marriage used based on the customary origin of the bride candidate. So that in the year 1991 to 2018 Acculturation is seen from the customary marriage that is used based on the origin of the bride candidate. Keywords: Banjar Community, Banjar and Javanese Marriages, Tulungagung.
THE ROLE OF THE SEKAR BUDAYA GROUP IN PRESERVING THE ART OF JARANAN CAMPURSARI IN SUKOSARI VILLAGE, SUKOWONO DISTRICT, JEMBER REGENCY IN 2010-2018 Sari, Novita; marjono, marjono; swastika, kayan
JURNAL HISTORICA Vol 3 No 2 (2019): June 2019
Publisher : The University of Jember

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Abstract

Sekar Budaya Group is an art group which houses the jaranan campursari art in Sukosari village, Sukowono subdistrict, Jember Regency. The Sekar Budaya Group has 35 members and also has 44 social gathering members. Sekar Budaya Group houses several art forms which are encompassed by the name of jaranan campursari. In the show, the Sekar Budaya Group always presents the arts it fosters, known by the people of the jaranan campursari sukosari. The establishment of the Sekar Budaya Group was motivated by economic factors and the condition of the art jaranan. Efforts made by the Sekar Budaya Group in preserving the art of the campursari network include protection efforts, utilization efforts, and development efforts. The efforts made by the Sekar Budaya Group had a positive impact on the development of network art and member income. Keywords: Sekar Budaya Group, Jaranan Art Campursari
Developing Interactive Modules Using Learning Content Development System (LCDS) To Improve Student Learning Outcome With 4D Sugiarto, Mei Dian; Umamah, Nurul; Sumardi, Sumardi
JURNAL HISTORICA Vol 3 No 2 (2019): June 2019
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Innovations form of interactive modules using the Learning Content Development System (LCDS) can influence the existence of generation Z that is compatible with technology and has a strong desire for independent learning. Based on the results of performance analysis at SMAN 1 Purwoharjo, SMAN 1 Cluring and SMAN 1 Srono, that: (1) 80% of learning resources are used by educators and students in history learning using LKS and Package Books; (2) 50% of the media used by educators in learning in the form of PPT, videos and images so that they are less varied in learning; and (3) 75% of students are less active in learning history. Thus, to overcome this problem, researchers developed an interactive module using a Learning Content Development System (LCDS) designed to meet student needs. The purpose of this study was to develop an interactive module that was validated by experts and was able to improve the learning outcomes of X-grade secondary schools in Banyuwangi. The research method used is the 4D development model. Research data collection using observation, questionnaires, and tests. Validation results from the development of an interactive module showed that the interactive module fulfilled the validation standards of content experts by 81% with qualifications "good" , linguistic validation by 90% with qualifications "very good" , and design validation 93% with qualifications "very good", and testing of individual users 91% with qualifications "very good". Based on learning outcomes, interactive modules using the Learning Content Development System (LCDS) can be used as learning resources in schools for students. Increasing student learning outcomes with small group trials using the effectiveness test formula is 0.872% with a high category, and large group trials is 0.853% with a high category.
Application of Probing Prompting Method with Picture Media To Improve The Ability of Critical Thinking and Learning Outcomes of Students on the History Subject Class XI IPS 2 SMAN Ambulu Academic Year 2016/2017 Bunyamin, Litha Verlisya Putri; na'im, mohamad; sumardi, sumardi; surya, riza afita
JURNAL HISTORICA Vol 3 No 2 (2019): June 2019
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The low ability of critical thinking and learning outcomes of students were the problems of XI IPS 2 class SMAN Ambulu. It affected the learning process in which students’s ability in identifying questions, arguing, asking and answering questions were still defficient at comprehending level. While the teacher still engaged lecture method that was monotonous and did not use learning media. The purpose of this study was to examine the application of probing prompting method with pictures media to improve the ability of critical thinking and learning outcomes of students on the history subject class XI IPS2 SMAN Ambulu. This research was a Classroom Action Research that was conducted in three cycles consisting of planning, action implementation, observation and reflection. The results of this research were: (1) the critical thinking ability of students increased in the pre cycle obtained score of 49.14% increased in cycle 1 55.40% meant the critical thinking ability was still low. increasing in 2nd cycle 64.18% meant quite critical. Increasing in 3th cycle with score of 72.09% meant quite critical. (2) Pre-cycle learning results were obtained an average of 67.62 increased in 1st cycle with an average of 74.81 and an increased in 2nd cycle with an average of 77.40 increased in the average 3th cycle of 84.97.
Reyog Kendang Art Studio Dhodhog Sadjiwo Djati in Gendingan Village Kedungwaru District Tulungagung Regency 1984-2009 afandi, huldan Aulia; sugiyanto, sugiyanto; sumarno, sumarno
JURNAL HISTORICA Vol 3 No 2 (2019): June 2019
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Reyog kendang is a unique art in Tulungagung. In the village of Gendingan there is an art studio founded by Siswoyo since 1984. The problem that will be examined inthis study is how the background of the establishment and development of reyogkendang art studio Dhodhog Sadjiwo Djati from 1984 to 2009. This study useshistorical research methods consisting of stages of the process consisting of 4 steps,namely: 1. Heuristics; 2. Criticism; 3. interpretation; and 4. Historiography. Theresults of this study are the development of the studios studied mainly in costumesand dance moves. Costumes include the addition of supporting accessories while inthe movement there are added creative movements aside from the standard motion.In 2009 the reyog kendang art got a copyright from IPR. Suggestions in this studyare expected to be a reference in the development of cultural history writing,especially traditional arts and provide information about reyog kendang dhodhogart.
The Dynamics of the Wood Lathe Industry UD. Indo Trading in Sentul Village, Kepanjenkidul District, Blitar City, 2011-2018 Rulianto, Umar Farouk; swastika, kayan; marjono, marjono; pratama, ahmad ryan
JURNAL HISTORICA Vol 3 No 2 (2019): June 2019
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This article discusses the dynamics of the UD lathe industry. Indo Trading 2011-2018. The problem that will be revealed is the factor behind the establishment of the UD lathe industry. Indo Trading in 2011, dynamics which included the development, change and sustainability of UD. Indo Trading. The scope of the material is the industrial elements which include capital, raw materials, labor, production and marketing processes. Factors that influence the establishment of UD. Indo trade can be classified into two types, the first is a factor that directly influences the establishment of UD. Indo Trading, this factor stems from the family's push to continue the family industry that has existed since the range of 1953. The second factor is a factor that affects indirectly, namely geographical factors where this factor is related to the fulfillment of raw materials in the wood lathe industry. In 2016 this industry changed to CV. Sicash Makmor with various changes and complex developments in it including capital, raw materials, labor, production processes and marketing.

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